Nietzsche's

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1.
Nietzsche's fear of the real thing, but all of his own making, the poor condition of the world is nothing but the reflection of his own.
实际尼采所恐惧的东西，不过都是他自己一手造成的，这个残破不堪的世界的不过是他自身的倒影。
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2.
In Nietzsche's moral universe, a truly loving God would have to be a sort of devil!
在尼采的道德世界里，值得真诚去爱的上帝必须也是一种魔鬼。
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3.
So the body or bodily experience does not on Nietzsche's conception consist of building blocks that can be analyzed by a special science.
尼采概念中的身体或肉体存在，并不包含可以被某些，特殊科学分析的组成部分。
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4.
Nietzsche's love for Wagner had a similar beginning, and a similar end to his love of God.
尼采对瓦格纳之爱的始末缘由，与其对上帝之爱相似。
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5.
They cover most of the general themes of Nietzsche's mature philosophy, though often in highly symbolic and obscure form.
它们涵盖了大部分的一般主题尼采的成熟理念，但往往是具有高度象征性的和模糊的形式。
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6.
One of Nietzsche's friends, a composer, noticed a change in the style of his writing.
尼采的一个朋友，也是一位作家，注意到他行文风格的改变。
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7.
"Nietzsche's fear stems from a strong, " fear and the will of both opposition and each one can be translated into each other.
“尼采的强大源于恐惧”，恐惧与意志既相对立，又互为一体，可互相转化。
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8.
And perhaps this was the essence of Nietzsche's Antichrist, a contrapuntal figure par excellence.
也许这才是尼采反基督的本质，一种卓越的对位舞蹈步法。
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9.
Now the appearance of phenomenological theory may make up Nietzsche's regret not to find the right theory and expressing wise.
当代现象学的发展可以弥补尼采当年找不到合适的理论资源和表达方式的遗憾。
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10.
This thesis takes the Pessimistic theory as the main clue, as well as systematic discussion on Nietzsche's tragic aesthetes.
本文以研究尼采的悲剧理论作为贯穿全文的主线，对尼采的悲剧美学进行系统的探讨。
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