TikTok’s day of destiny is here. Well, its latest day of destiny: on recent form there will almost certainly be another one ...

Spotify’s dispute with US music publishers over its ‘bundle’ royalties revolves around the addition of audiobooks to its Premium tier.

Generator CEO Mick Ross said that the initiative “is designed to advance emerging talent from all sides of the industry while filling the gap of the notorious skills shortage at present”.

When it was running for election last year, the UK’s Labour Party promised a crackdown on ticket touts (scalpers) and resale prices.

Electronic artist Alan Walker has always been an independent spirit, and his choice of distributor for ‘Walkerworld 2.0’ is interesting.

Italian labels body FIMI and research firm GFK have published their annual consumption stats for Italy’s recorded-music ...

Last year we reported on some of the grants to support small music venues from US-based nonprofit foundation Live Music Society.

Citrin Cooperman doesn’t make that many headlines, but the tax and accounting-services firm has played a vital role in the music industry.

We’re big fans of the annual Clio Music Awards, which celebrate music marketing campaigns and brands’ collaborations with artists.

YouTube Music is introducing a new fan-facing public metric on its service: Monthly Audience. It will show artists' popularity.

The UK’s Featured Artist Coalition (FAC) is launching a new ‘FAC Artist Council’ that aims to “encourage engagement with the widest diversity" ...

It’s no secret that all those ‘year-end’ wraps from music-streaming services in December are not based on data from the entire calendar year.